Aimee Byrd

Inside the word. Outside the box.

Moses’ Wife, the Queen of Sheba, and the Black Bride Let’s trace the black and beautiful bride through Scripture and behold her beauty, starting with that strange story in Numbers 12. There are all kinds of interpretations on this. Origen’s is most compelling to me, as he ties it into his homily on the Song …

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We all want the same thing. Sure, we are unique individuals with personal aspirations. And these are important to explore, examine, voice, and properly pursue. But our individual desires are all headed for the same end, or telos. And it’s an overwhelming, ecstatic longing. We all really want eros. The problem is, we don’t understand …

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For the guardians of the walls. For the wounded bride. Is there a better line in all of Scripture than the bride’s proclamation, “I am my love’s and his desire is for me”? (Song of Songs 7:10). It’s full of theological meat—she appropriates the covenant language that reverberates throughout Scripture. That is fabulous in itself. …

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Often, I find that our goals in talking about sexuality in the church are way too small. And it reveals how we are letting the culture guide us, define the terms, and dictate the conversation. We have classes and curriculums about sexuality focusing on the sin of homosexuality, the distortion of transgenderism, and saying don’t …

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Some are asking me more about my theology of gender. I’m working on another book that will continue to speak to that, but mainly because I want to reinvigorate the church in Song of Songs. This book, found in the center of our Bibles, teaches us about Christ, his church, man, and woman. It teaches …

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Don’t you love it when you hear a sermon, a very good sermon, and it overflows with fruitfulness as you find all kinds of intertextual references connecting to your own private Scripture reading? That happened to me today, as my pastor preached on John 20 and the resurrection of Christ. I saw the Song of …

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